13
Oct 09

Why Commit To Open Source Film?

The list of films in the Public Domain is quite extensive. Provided you can find them, there’s a lot of source material you can edit together. Indeed, that’s what video DJ’s have been doing for years, with great results. One of my personal favorites is Dancing to Architecture from MINSKI media.

What’s results from making a film with open source software, using public domain content, is an open content film, or an open source film.

Such endeavors are supported by the Open Source imitative. One community actively engaging in open film-making isMoviePals. What might be the others?

TODO

One, outline examples from open-source software development and the positive and negative experiences of the movement. Two, list films shared using an open source license. Three, visions for the future.


26
Sep 09

Lisbon: 6 In The Morning

01-04-10

Praca do Comercio. Photo by Jaurne Otero

Kairit had this art project she was doing so we ended up getting up at 6 in the morning to go for a walk and some resting on the streets.

httpvhd://www.youtube.com/watch?v=IfxphyKmwn4


14
Jun 09

3 Vids From Bairro Alto & Around [VIDEO]

Bairro Alto. Photo by Alex Sianto

Bairro Alto. Photo by Alex Sianto

This is a story of some of the music in Bairro Alto and around in June 2009. Obviously I didn’t have a camera or were to busy to capture the best moments but you should get at least an idea.

June 13 This is some unknown bar in Bairro Alto.

httpvhd://www.youtube.com/watch?v=Veg3LAZCJEI

June 18 Festival do Silêncio at Musicbox Lisbon: Cais do Sodre Funk Connection

httpvhd://www.youtube.com/watch?v=UA0ljHgIYOU

June 6 SOU is the Fado place I discovered today. Rua Maria 73 (in Anjos). They also have a monthly Mercado Urbano where you can buy clothes and jewelry made by local fashion students.

httpvhd://www.youtube.com/watch?v=KsEF_cibqfo


19
May 09

Anton Chigurh

Anton Chigurh. Photo by Moisés Bello

Anton Chigurh. Photo by Moisés Bello

Character Biography. Name: Anton Chigurh (Javier Bardem). Work Description: Professional hired killer. Age: Early forties

Psychological Profile

One. Anton Chigurh is an emotionally detached character. He is psychologically removed from other people and from his own self. There is no mention of him having a home, a personal life, or any close family and /or friends.

He is annoyed by the question where is he from (which is the inquiry that sets him off in the scene at the Texaco Gas Station).

Two. Chigurh embodies the idea of violence. He is more similar to death than to a character. In his singularity (he is always shown alone) he represents something final and gruesome.

Three. Chigurh is akin to a hunter. He is calculative – without emotion he does what is needed in order to catch the prey. He does not consider or understand the feelings of other people – suggesting he might be a victim of a mild case of autism. There remains a little clumsy humanity in his character that’s there to keep him from being unbelievable.

Relationships

One. Chigurh contrasts with Sheriff Bell and the man who he is chasing – Llewellyn Moss who are both family men. He does not seem to have a private life and neither is he looking for any relationship with the other characters.

Two. The only scene where we see Chigurh relate to other people in some way is in the chosen scene in the Texaco Gas Station – What business is that yours where I’m from… Friendo – he submits to the clerk with anger and waits for an answer. He then toys with the old man like a dog would toy with a farm animalThis coin has travelled for 22 years. And now it’s here. And you have to call it – and he waits for the reaction on the face of the scared old man. This is the most revealing scene in the movie in terms of Chigurh’s character.

Skills

One. Chigurh is familiar with medical equipment and drugs. He knows exactly what to steal from the pharmacy when he is shot in the leg by Moss, remaining calm and methodological in his behavior suggesting past experience in the medical field.

Two. He operates a variety of weapons with skill such as shotguns, handguns, and a cattle gun but also demonstrates capacity for close combat (for example when strangling the deputy sheriff). He also drives a car and knows how to make it explode.

Physical Appearance

One. Chigurh is 1.83 meters tall with a strongly built frame but his lean physical features akin to an animal such as a Cheetah make him appear slightly predatory – which he is.

Two. Chigurh has facial features that are strong and chiseled – a broad nose, heavy eyebrows, protruding cheekbones and a well defined chin in the long oval frame of his face. His sharp gonial angles and a robust yaw add to the masculinity.

Three. Chigurh’s skin has a darkish complexion and the fact he speaks with a foreign accent this suggest he is not a local man – instead perhaps of Mexican ancestry.

Style

One. Chigurh is a man of stylish and he has a recognizable signature element – a bowl haircut draped across his high forehead. Chigurh’s hair is turning slightly grey and thisgood boy look contrasts with his intimidating character giving him a more twisted appearance.

Two. Chigurh prefers to dress in dark denim clothes making him look like a bona-fide grim reaper. His signature wardrobe items include a pair of black jeans, a dark blue collared jacket, and a brown cotton shirt buttoned down to show off his strong neck. He is clean shaven.

Three. Chigurh’s footwear is well chosen and taken care of. He wears shoes with a high heel (not a common choice highlighting his interest in the matter) and white socks that he changes regularly when they get bloody after a kill.

Body Language

Chigurh has a very commanding body language – when he enters he immediately fills the room; just by being there he controls the environment and it seems even inanimate objects have to obey him.

Speech / Voice

Chigurh speaks with a tone of voice that is deep and musical but with a low masculine pitch and a coarse accent. He speaks with a slow rhythm suggesting there is no hurry and what happens will happen anyway.

Values

Chigurh is driven by his values and preconceptions about the world. This is a character that holds true to his principles and they lead his decision in the film.

One . Chigurh holds conservative views on male and female roles – he smirks with contempt at the idea of a man marrying into a household in the Texaco scene. His knowledge of the history of coins suggests he has had a good education, perhaps in one of the schools that separate males and females justifying his dispositions in these matters.

Two. Chigurh has a strong set of principles regarding fairness and commitment to his promises – however twisted they may be – when has promised himself to kill someone he will do it (this part of his personality is revealed in one of the final scenes when he waits for Carla Jean – Moss’s wife – and kills her).

Three. Chigurh is concerned with the way people live their lives and lets faith pass judgment on them based on this history – as he says to the Clerk: You’ve been putting it up your whole life and you just don’t know it. Chigurh represents the Texas of the past times – a lawless country where either you adapt or you die – and if you have lived your life in a way that deserves a death faith will not preserve you.

Attributes

Chigurh is an iconic character whose image is determined to an extent by his relationship to the objects he uses or carries around with him.

One. There is an aesthetic to the way Chigurh kills. The first thing we know about him is that he carries an oxygen tank with a hose. Later this is revealed to be a cattle gun used to decapacitate livestock. For Chigurh this is the most humane way to end someone’s life as cleanly as possible – he is meticulous in trying not to get his hand dirty or have any contact with blood.

Two. In addition Chigurh carries a shotgun with a silencer, and a handgun that both follow the same principle of making a clean kill without disturbing sounds.

Three. Chigurh carries a pocketful of coins. He is familiar with their history and knows their dates. He uses them to measure the fate of the people who are on the ledge – he is unsure if they should be killed or do they still deserve to live. He is the one executing the rule but he is not then one making it – these are higher powers. Destiny happens whether the victims like it or not.

Internal Conflict

There is remarkable lack of interior conflict because what happens has already been decided and what will come too. It’s only a matter of time. He is here only as a spokesman. It is very unnerving to see his slow answers as if what he is saying came from somewhere else – god, destiny. What is happening is bigger than you and I. As if talking to a religious person. Despite an accident in the end the film he continues relentlessly. There is no stopping him.

External Conflict

Chigurh’s external conflicts are short lived and violent suggesting he does not enjoy seeing extended suffering. The use of a cattle gun supports this hypothesis as that weapon is used to kill animals with the least amount of pain. His conflicts are with people who do not want follow his rules of game play (the coin toss) which he externalizes by attacking and killing those who annoy him (for example Carla Jean). His personality conflicts begin with being cold and austere to himself; Chigurh does not display any internal suffering or pain or empathy. But he is still charming and likeably to the viewer – which is one of the mysteries of his character.

Objectives

Chigurh is hired to retrieve the drug money and kill Moss. However, this is not his motivation (he kills the people who hired him) – his motivation is justice and in his principles. He holds high morals about a certain way life should be and derives it from a higher power.


15
May 09

A Short History of Research Methods

The theory of knowledge has a long history. It’s begins with church fathers, and scholastics. Appealing to God as the source of all knowledge, and to scriptures as its proof.

Then, the followers of skepticism – Hume, rationalism – Descartes, empiricism – Locke, were less prepared to believe in simple truths. Modern thinkers grew increasingly tired of philosophy instead pursuing a strict scientific realism in schools of pragmatism, positivism, and materialism.

Whether looking for answers in religious belief or by seeking for rational explanations trough observation, humans have always been thriving to learn more about what’s out there.

Fictional ideas exist in a paradigm of conceptual fantasy; on the scale of possibility they have no requirement for being probable being only limited by one’s imagination. While there are philosophers such as Nancy Cartwright who argue for the existence of a degree of fictionalism in the scientific discourse (Votsis, 2004, p. 16), science aspires to create models which follow reality as closely as possible.

Science is not characterized by personal values and partiality, but rather by a certain academic disinterest. Owning to this culture of rigor, scientific ideas are tiny subset of all the creative thought generated worldwide; it is a specific form knowledge, dealing with the phenomena of the world in a systematic and structured way.

While the subject of scientific research can be anything that can be observed by the scientist, the academic world of science is organized into fields of study. There are the scientists who research biological, physical and chemical phenomena and those who investigate anthropological, social, and cultural subjects; but this is not a complete list. There are many overlaps in the structure of the academic world, and often the same phenomenon is studied from differing points of view.

Whatever the scientific field, the practice of science (what is it that the scientists actually do?) is best considered in the light of the scientific method. Although there are famous disagreements in the precise nature of these methods (such as Kuhn’s cautious attitudes towards induction in recognition of its fallacies), there are also common techniques of modern science.

The principles of formal mathematical logic and the categorization of independent and dependent variables in the deduction of cause and effect, and the requirement that each part of the scientific method should be falsifiable are just some of which practitioners deem almost universally essential.

The findings of science are shared in scientific papers, which, as science in general, need to be well structured and clearly organized. As such they are most often published in peer reviewed journals for the audience of the particular academic field.

More generalized publications, for example the journal Science also publish research from a wider range of fields. Students enrolled in university level courses are required to format their research in specific rigorous ways. Among the most common are the American APA and MLA styles for which the undergraduate and graduate lever professors are the primary audience.

This culture of publication plays a key role in the dissemination of science by allowing for reproduction and verification of results by repeating the experiments in question.

Thus the discussion of the structure of science and the nature of its methods of research demonstrates that science is cyclical by nature. Trough repeating patterns of research and investigation science is advanced, innovation and new technologies progressed. If something is not true, it can be demonstrated by a test. The scientific methods of analysis, synthesis, and the formation of theories are the methods used in the scientific pursuit for truth; they are a part of the culture of critical thinking are the basis for the creation of knowledge.

Works Cited

Votsis, I. (2004). The Epistemological Status of Scientific Theories: An Investigation of the Structural Realist Account. London: London School of Economics.


15
May 09

Power Politics: The Failure of Ethical Idealism

This paper will present arguments against ethical politics in general and Plato’s ethical idealism in particular on the basis that they will fail in the face of Machiavellian regimes.

Premise

In discussions of philosophy, two schools of thought are often pitted against each other as opponents or adversaries. They are idealism and realism – one focusing on what could be possible, and the other on what has been demonstrated to be possible, represented by the Platonic and Machiavellian stereotypes respectively. Whether supporting one or the other, in order to fully understand their relationship, one should begin by trying to understand the nature of politics. Choosing a model that one thinks most precisely defines the contemporary political reality is a good start; a definition that is simple enough for the purposes of this paper, and favored by the author, can be found in the title of Harold Lasswell’s 1958 book – Politics: Who Gets What, When, How (Lasswell, 1958).

By the fact of choosing Lasswell’s definition as a premise, one agrees with his analysis that the character of contemporary politics is hypocrisy. This is to say there are as many different interests, as there are stakeholders in a politician’s decision. Whatever the decision, the politician must create an illusion of reality that convinces each of the stakeholders to the extent of winning their vocal support, their financial assistance, and in a democratic system their vote. Thus the politician can continue in power; but many ethical failures and practical difficulties can arise. Why cannot this problem be avoided by subscribing to Platonic idealism?

Platonic Idealism

Plato evaluates political systems based on their perceived capacity to produce happiness for all citizens; that is to say not only for the individual, but for everybody – the whole society. Happiness is measured by the acts of being virtuous (the four principal being wisdom, courage, moderation and justice (H. Rice, 1998, p. 43)). For Plato, being virtuous, in turn, is based on understanding the true form of things. Therefore the intention of the political system – and there is a clear underlying intention in the Platonic system – is to create citizens who are aware of the true forms. This is to say each citizen has a true place in the society and by subscribing to their specific role, one can thus find peace and happiness.

First, in discussing governance, Plato suggests the state should have a guardian and “the perfect guardian must be a philosopher” (Plato, 1946, p. 389). This lover of knowledge must have the necessary ability and foresight for good governance. While this argument may sound fair, for there are good arguments to support strong leaders, it is the unlikely high degree of optimism about one man’s abilities and virtues that leads Plato to a mistaken path in his discourse. The nature of a philosopher king has been refuted by later authors. For example Rice writes in his 1998 treatment A Guide to Plato’s Republic: “the political arrangements he proposes in the Republic suggest that he believes it is actually possible to discover all the truth there is” (H. Rice, 1998, p. 51). Moreover, even if the politician presented as high a degree of foresight as Plato expects of him, considering the various pressures put on a politician, one could imagine, it is unrealistic to expect the politician to use his abilities only for the good of the people.

Because Plato establishes the basis of his ethics in virtues, and the guardian as the symbol of an ethical life, he creates the necessity for each and every individual of the society to be aware of the existence of these virtues. Only then could the citizens aspire towards the ideal. This would have been very unlikely in a world of the 4th century BC because of lack of between people living in different parts. And even today, while some shared virtues could be possible in a small city state where people hold strong personal relations, it would soon become near impossible in cities with millions of people, and even more so in countries with hundreds of millions, or for that matter for a planet with billions of individuals. Therefore the first basis of Plato’s first proposition could fail for practical reasons.

Second, Plato does not have a clear understanding of the distinction between ethics and politics (Hinchliff, 1982, p. 92). Plato establishes his political ontology as a direct reference to his idealistic ethics; that is to say he sees his ethics as a clearly possible political reality. Indeed, in the Socratic dialogues of The Republic one can almost imagine that ethics takes on a life of itself and has the power to create reality, with politics and flesh and blood politicians only considered as an afterthought. Here may be there reason why; for Plato ethics and politics are so intertwined as to be the same. He does not give much thought to the political juggling, consensus creation, power-play and other features of political life that one can witness in contemporary politics. Put another way, the difference between the ideal ways in which things should be, and the real ways in which politics and politicians would achieve these goals (or fail to do so) are not explored by Plato in any considerable depth.

This suggests that the nature of Plato’s political thinking is authoritarian and his envisioned system totalitarian. His ideas do not leave much space for alternative ethics, alternative (or foreign) cultures, or any ideas that are different from his idealized norms (the theory of forms). There is only one single standard of what is good. The institutions Plato would use for the promotion of his ethics arise from his imagination and do not directly interact with reality: In The Republic Plato explains the role of justice and harmony in the institutions: “justice is based on the idea of good, which is harmony of the world, and is reflected […] in the institutions” (Plato, 1946, p. 12). This line of argument leads to a strong refutation by Rousseau in his Emile: or, On Education: “When people wish to go back to a land of fantasies they cite Plato’s institutions“ (Rousseau, 2004).  Put in another way, Plato does not explore the direct consequences of his institutions to their stakeholders, or bother with looking for proof of what might be the practicalities or creating such institutions; his institution remain a though experiment without any testing in reality. Plato’s second proposition could fail because without a democratic process, his institutions would be created in a top-down fashion; and could thus be overthrown by the public if it did not find them agreeable.

Third, in all areas Plato reduces his ethics to such a degree of abstraction that there remains little relevance for practical application. Even if considered as ideals, merely as guidelines or inspiration for further thought, these ideals put into application would most likely result in a state contrary to the expectations of Plato. Instead of upholding the highest ethical principles, such a state would fail to provide for even the simplest ideals of contemporary time. This is to say: in the creation of an ethical state where all individuals aspire for the virtues set in the eternal forms Plato does away with democratic values. In search for the perfect model of a good life, the imperfections arising from freedom are disregarded. This is why the politics that might be a beautiful walk in the park according to Plato’s dialectic considerations would in reality soon become a hellish road to the ruin of the state as well as the ethics imagined by Plato.

Machiavellian Realism

Machiavelli (as have many later authors) unequivocally defies almost all the assumptions of Platonic ideals about state-building. He makes commonsense arguments that draw on his experience as a Secretary of the Republic of Florence, and the study of governance in history. Indeed, Bertrand Russell calls his theories “scientific and empirical” (Russell, 2004, p. 465). There is no ease to Machiavelli’s arguments. Reasoning like a practicing politician he transforms the pretty picture of Plato’s ethics-based governance into the harsh power-politics of a 16th century Italian city state.

First, before any of the politician’s ideas could be introduced, Machiavelli expects his main problem to be the simple deed of staying in power. Contrary to Plato, Machiavelli suggests the politician to focus plainly on the practical problems of the office; ethics and the happiness of the people should not be the main concern of the statesman. For a politician to implement his ideas he has to remain in power; it is imminent that he sets this his first priority because “power is for those who have the skill to seize it in a free competition” (Russell, 2004) and there are plenty of those who are after it. Where Plato chooses to focus on the problems of the people, Machiavelli focuses on the ruler itself. With all likeliness, if one takes a measured view on the nature of political competition, and if the politician of Plato would compete against the politician of Machiavelli for office – the latter would go further to win the battle.

Second, trough such practical consideration Machiavelli brings to ones attention the “effectual truth of the thing” rather than “the imagination of it” (Machiavelli, 1998, p. 10) – the lifeblood on Platonic ethics. While Plato argues that one should aspire towards virtue, Machiavelli makes a more subtle point. He argues that politics cannot be led by a single set of ethical absolutes (or the ‘good life’ as defined by Plato) simply because people are unable to live up to such strict ethics:

“Men, walking almost always in paths beaten by others, and following by imitation their deeds, are yet unable to keep entirely to the ways of others or attain to the power of those they imitate.” (Machiavelli, 1998, p. 29)

Political life is not simple and clear cut; the politician will have to make sacrifices. Other politicians will not be that idealistic. Whether the Platonic politician wants to or not, he will have to work with this reality. Or put in Machiavelli’s own words “it is so far from how one lives to how one should live that he who lets go of what is done for what should be done learns his ruin rather than his preservation” (Machiavelli, 1998).

Third, if one follows Machiavelli’s line of thought further, one finds that once the politician has managed to gain power he has to choose the most cunning and deceitful methods of achieving his goals to stay in power. For if he does not, his opponents will defeat him and stop whatever he is trying to do. The politician cannot stop to question, what the ethical or just ways of doing politics are; he must explore all the avenues because his opponents will. This is the crux of the philosophical difference between the ethics of Platonic idealism and Machiavellian realism. A platonic ruler would not withdraw from his ideals if brought to this situation, whereas a Machiavellian ruler would go to the extent of lie and deceit to put his policies into action. Thus, for the politician to achieve his goals – whatever they might be, for the benefit of the people or not – idealism and an ethical mind will be a distraction. If the politician does not use all the means at his disposal he will fail to bring his ideas into reality.

Finally, Machiavelli is able to capture more of the features of the political world in his distinct lack of ethics (his ability to go to the extremes) than Platonic idealism could at its time. The failure of Platonic ethics is that it escapes application. Because Plato refrains from all the shades of gray that exist in the interests, premises, goals, but also the ideals of all the different political actors, he will make the politician – who would follow his teachings –lose out on opportunities,  and eventually lose the battle as well as the office. In as much Machiavelli sees such political nuances he also foresees the possibilities arising from them. In a sense Machiavelli’s politician has more foresight than the philosopher guardian proposed by Plato.

Conclusion

Therefore it become clear that in every aspect it is likely, where the Platonic politician will try to be ethical the Machiavellian politician will not be. He would demonstrate himself as ethical if necessary or unethical if the situation required it but in case would do everything to reach the practical measurable goal. With all likelihood the Machiavellian politician would win his battle for a single reason: he would go further to get what he wants. Where ethical problems arise for the follower of Plato, there is an open road for the Machiavellian.

Ethics cannot be just about the rights and wrongs of ideas, it must take a deep look into reality and find practical ways of achieving the values it upholds; otherwise ethics itself can become unethical if it spends too much time looking for the ideals of  a ‘good life’.  While one considers whether the nature of contemporary politics is more Machiavellian or Platonic, one must not only look into the world of ideas but also consider the facts of reality – this is the true path to ethics.

Works Cited

H. Rice, D. (1998). A Guide to Plato’s Republic. New York City: Oxford University Press.

Hinchliff, P. B. (1982). Holiness and Politics. London: Darton, Longman, and Todd.

Lasswell, H. (1958). Politics: Who Gets What, When, How. New Haven: Meridian books.

Machiavelli, N. (1998). The Prince. Chicago: University of Chicago Press.

Obama, B. (n.d.). Ethics. Retrieved November 23, 2008, from barackobama.com: http://www.barackobama.com/issues/ethics/

Plato. (1946). The Republic. New York City: Plain Label Books.

Rousseau, J. J. (2004). Emile: or, On Education. Whitefish: Kessinger Publishing.

Russell, B. (2004). History of Western Philosophy. London: Routledge.

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15
May 09

Preventing "Shattered Glass"

New Republic - Will whites vote for him

The New Republic Magazine. Photo by Barack Magazines

The New Republic, the respectable American magazine in Billy Ray’s film Shattered Glass has a few problems. Journalistic fraud and deception are rife when the uncontrolled and uncontrollable Stephen Glass invents journalism in his own head. Unfounded facts and misleading stories reach the audiences while errors go unnoticed by the editors.

The journal that is advertised as the ‘in-flight magazine of Air Force One’ (Ray) publishes content that is often poorly checked, and in many cases – simply untrue. Eleven years later there are new ideas on of how such things might be prevented from taking place. New technologies and open communication hold the promise of preventing journalistic fraud and facilitating the creation of good journalism.

The integrity of journalism depends on truthful and accurate information. In many cases,  and in particular in The New Republic information acquisition involved independent investigative journalists such as Stephen Glass practicing fieldwork, and fact-checkers checking facts against the journalists own notebook. Because every element of information produced by Glass was in essence proprietary – that is to say his findings could not be verified trough third parties – it was difficult to determine that his work in fact was truthful or accurate.

Perhaps in the most basic of terms one could suggest a number of practical policies which would have been likely to work towards decreasing the prevalence of journalistic fraud and form something of a baseline that many contemporary media creators already have or would be likely accept. In addition to such practical considerations there is a philosophical movement that is on the route of changing the established paradigms of journalism.

Firstly, on the practical side, a story with a picture is better than the one without a picture. Photographs have numerous functions in providing a comprehensive journalistic unit from illustration to commentary. At the very least pictures provide a proof duplicate of the events and action taking place before the journalist.  At a higher level they can add structure to the story underlining key elements and putting emphasis on the main points. If taken by the very best of photographers pictures allow the journalist to accurately convey the kind of complexity that is only presentable by a visual device narrating the atmosphere of the story. Photography was a readily available tool at the time of The New Republic but was only used after the Glass scandal.

Secondly, elements such as video and sound add new dimensions of proof and accuracy, as do the maps, charts and other elements that complement stories in many magazines, for example in the National Geographic. Television stations were the first to learn that without video there is no story. News outfits such as CNN were the first to innovate in the new media space; they learned that they can create trust by presenting relevant information from third party sources (such as respectable blogs) on the side of the story. Later that trend of collaboration caught on with other types of journalism. Because a range of these today known and understood features of journalism were not as widely implemented as today in smaller media because of cost or other reasons at the time of the Glass’s controversy in 1997 it was far simpler to deceive the public.

From the philosophical side of the matter there are three features of contemporary journalism that innovate on what was possible at the time of the Glass scandal. They compound to what could be called the pillars of open journalism.  With the goal of creating maximum transparency and by bringing together different media and multiple sources contemporary journalists create a package of journalism that puts emphasis on being open, comprehensive, and accurate. For people living in a network society and for those whose principal medium is the Internet such journalistic ideals are realized by tools of collaboration. One might argue that it is because of the virtues of collaboration that movements such as Wikipedia and Wikinews have been successful despite of rational criticism and reservations by many people. Although this is already a controversial point, the American writer Dan Gillmor would go even further:

“An open source philosophy may produce better journalism at the outset, but that’s just the start of a wider phenomenon. In the conversational mode of journalism [...] the first article may be only the beginning of the conversation in which we all enlighten each other.”

One could also imagine that by using the paradigm of these three pillars the editors and journalists of The New Republic could have fulfilled these idealistic dreams to a greater extent than was demonstrated by the actions of peers of Philip Glass. Today’s new media journalists have taken note of these three ideas inspired not by their peers from the history of journalism but rather by the success of the open source movement in the software developer communities and by ramifications of the ground-breaking technology that was created is such open communities .

Indeed online publication is by nature more open and participatory than its preceding offline cousin. When mistakes are made online there is a high likelihood that someone notices and reports any such error encouraging thoroughness and fairness in content creation.  Judged by that token one might argue that the paradigm of open journalism in which all content is created in a participatory fashion would have entailed better journalism even at The New Republic.

The ideas of open journalism and the use of innovative new technologies hold the promise of bringing a degree of comprehensiveness and accuracy to journalism unknown to Stephen Glass. In a philosophical sense the three pillars of open journalism have ramifications which make truthfulness and accuracy more possible than previously. It is in essence a paradigmatic shift in the realm of investigative journalism that Stephen Glass missed just by a margin.


Works Cited

Gillmor, Dan. We the Media. New York: O’Reilly, 2004.

Shattered Glass. Dir. Billy Ray. 2003.


15
May 09

Hamlet vs. Greek Drama

Two plays were written that have time period of two thousand years of human history between them:  one that may be the archetypal Greek drama – Sophocles’ Oedipus Rex, and the other, among the most influential works in the history of playwriting – Shakespeare’s Hamlet. They share much in common, and in the words of Sigmund Freud as put forth in his The Interpretation of Dreams, Hamlet may be considered as “rooted in the same soil as Oedipus Rex” (Freud 175).     But what are the three profound characteristics that set them apart?

The characters of Hamlet and Oedipus share the common treat of a tragic life. In the Nietzschean context they are both likened to the Dionysian man. And as it was pointed out by Nietzsche his The Birth of Tragedy, “both have had a real glimpse into the essence of things. They have understood, and it now disgusts them to act, for their action can change nothing in the eternal nature of things.” (Nietzsche 94) Even if these words mean nothing else for the reader, one must understand that Hamlet and Oedipus are trying to explain to themselves why things are as they are; why do people despair, why do they feel as if they have no power, and what can they do about it.

Hamlet and Oedipus suggest there is a deep, quasi-existential force that commands people; that everything one does is already predetermined by some external force, be it history, society, destiny, or something else. Be it as it may but the extent of predetermination and the power of the particular force in action remains variable, and in question.

For Oedipus, when his history caught up with his present and he learned of his parents abandoning him, he saw the following as something inevitable (even though his parents had only acted upon the perceived suggestions of the oracle), and he gave in to his presupposed destiny as exemplified by his cry for help:

Aaaiiii, aaaiii . . . Alas! Alas!

How miserable I am . . . such wretchedness . . .

Where do I go? How can the wings of air

sweep up my voice? Oh my destiny,

how far you have sprung now! (Sophocles 83)

Hamlet on the other hand is familiar with the idea of fighting back. In his view of the world – which may seem rather more modernistic –, and although he has become stuck in a plot which he sees and understands more than clearly, he perhaps, perceptibly – may have some influence over it. By that token it may be because of his modern outlook that Hamlet differs from Oedipus in grand scales; it may be that the first characteristic which sets Hamlet and Oedipus apart becomes apparent trough their ability to think about their destiny.

But as Nietzsche pointed out, “knowledge kills action, for action requires a state of being in which we are covered with the veil of illusion — that is what Hamlet has to teach us” (Nietzsche 95). It follows thus that it is also their use knowledge that differentiates Hamlet and Oedipus – the second characteristic. If measured by that token and by the amount of philosophical things spoken by Hamlet’s character it becomes clear he is far greater in deliberation, or at least more practiced, than Oedipus (who even had the Chorus at his mercy to help him consider his future). Thereby Hamlet acquires an air of being more educated than Oedipus. For Hamlet the time taken to reflect was important, as it was for the integrity and mood of the entire play; his reflection had a decisive function, not unlike that of destiny –which in the same manner might become a potential force. This idea is perhaps best expressed not by Hamlet himself but by his arch enemy, his mother’s husband, King Claudius, who spoke of the killing of Hamlet:

Let’s further think of this;

Weigh what convenience both of time and means

May fit us to our shape: if this should fail,

And that our drift look through our bad performance,

‘Twere better not assay’d: therefore this project

Should have a back or second, that might hold,

If this should blast in proof. (Shakespeare 202)

Had Hamlet been in the shoes of Oedipus, perhaps he would’ve killed himself. But would he ever make himself blind? Hamlet needed to understand the plots and conspiracies surrounding him in order to refute and revenge. But Oedipus on the other hand convicted and sacrificed himself at will. One wonders if Sophocles was pressured by the 24 hour rule of playwriting and the shortness of his play to make Oedipus reflect on the possibilities before him, or even to question. It follows that Oedipus’ character lacked the complexity of thought distinctive to Hamlet, and resembled only a small facet of Hamlet’s being, a kind subset of his personality.

Due to the actions of Hamlet six people died, including himself; due to the actions of Oedipus, only two – his father and his mother. Hamlet as a play is three times longer, and in that time he gets three times more people killed. Perhaps if Oedipus had had more time on the stage he’d been as destructive. But as said Oedipus’ time was compressed into a 24 hour period as in all Ancient Greek plays, in contrast to the element of time in Hamlet which was far less linear, with various subplots leading to a story three times longer than Oedipus. Thus it was the use of time that is the third differentiating characteristic of Hamlet and Oedipus.

If they had nothing else in common, Hamlet and Oedipus still both dealt in universals and humanity. One cannot ask whether Hamlet is “just about princes, or men of the Renaissance, or introspective young men, or people whose fathers have died in obscure circumstances?” (Cullen 36) as was the question posed by Jonathan Cullen in his Literary Theory – A Very Short Introduction no more than one can ask – is Oedipus just about the lives of kings and queens, and of prophets who know much about the future? Can it be said then that these are plays are about the philosophy of revenge, submission to destiny, and bad luck?

No, Hamlet and Oedipus are more complex than that.

Works Cited

Cullen, Jonathan. Literary Theory – A Very Short Introduction. New York: Oxford University Press, 1997.

Freud, Sigmund. The Interpretation of Dreams. New York: Random House, 1994.

Nietzsche, Friedrich. The Birth of Tragedy. New York: Plain Label Books, n.d.

Shakespeare, William. Hamlet. New York: Plain Label Books, n.d.

Sophocles. Oedipus the King. Trans. Ian Johnston. New York: Richer Resources Publications, 2006.


24
Apr 09

Tracking Sleep w/ YawnLog

Wawnlog website

I recently started tracking my sleep using YawnLog. It has been surprising how well I sleep. But also how few dreams I can remember. There are only a few days in a month where I really remember what I’d dreamed.

httpvh://www.youtube.com/watch?v=m6w_-eLIgAA

Here’s an overview of the service by LifeHacker, and ReadWriteWeb. Plus 7 other (more advanced) sleep tracking services.


20
Mar 09

Sao Lorenço, Madeira

Sao Lorenço. Looking back towards Funchal. Photo by Kris Haamer

Sao Lorenço. Looking back towards Funchal. Photo by Kris Haamer

This has to be the most photographed spot on the island of Madeira – Sao Lorenço. Probably the single photo every visitor takes on Madeira. This is the eastern tip of the island, known as Sao Lorenço. Looking back towards Funchal.

I’d be glad to talk to anyone with kick-ass post-processing skills to fix the edges on my panoramas.